4
Glaser H. My Path to Creative Therapy. Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1989.
5
Rush A. Masculinity and PCETI. Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1987.
6
Frances Fuchs, Women’s Creative Process (Ronhert Park, CA: Sonoma State University, master thesis, 1982), p. 18.
7
Barbara Mettler, The Art of Body Movement (unpublished manuscript).
8
Эти шаги процесса похожи на те, которые обсуждались Колин Киберт в ее книге: Coeleen Kiebert, All of a Sudden: The Creative Process (Aptos, CA: self-published, 1980). Она описывает процесс творчества в целом и применительно к визуальным искусствам в частности. Я приспособила описанные ею шаги для обсуждения движения как творческого процесса.
9
Frank Hernandez, untitled student paper (Orinda, CA: JFK University, 1987).
10
Dean Lockhart, untitled student paper (Orinda, CA: JFK University, 1987).
11
J. Brown et al., Free Writing: A Group Approach (Rochelle Park, NJ: Hayden Books, 1977), p. 6.
12
Anonymous participant, Chicago workshop, 1988.
13
Joseph Doherty, Probation Office workshop participant, 1979.
14
Connie Smith Siegel, untitle intern paper (Santa Rosa, CA: Person-Centered Expressive Therapy Institute, 1985).
15
Frances Fuchs, Exploring Women’s Creative Process (Rohnert Park, CA: Sonoma State University, master thesis, 1982), p .18.
16
Carol Griffin, Tools For Self-Discovery (Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1987).
17
Carol Griffin, Tools For Self-Discovery (Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1987).
18
Beatrice (Lowry) Chaney, Person-Centered Expressive Therapy: Exploring Creativity as a Path to the Heart (Rohnert Park, CA: Sonoma State University, master thesis, 1986), p .90.
19
Anonymous, “My Experience at the Person-Centered Expressive Therapy Institute Held at Sonoma State University from July 21 to 28, 1985.”
20
In Medicine Music by Phil Catalfo, in New Age Journal (March/April 1991), p. 33.
21
Don Campbell, The Roar of Silence (Wheaton, IL: Theosophical Publishing House, 1989).
22
Anonymous (Orinda, CA: JFK University, student paper, 1986).
23
Sadja Greenwood, Improvisation Music as Creative Expression (Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1991).
24
David Darling, Music for People / RD 4, Box 221A / Keene, NH 03431.
25
Greenwood, op cit., p. 2.
26
Lawrence LeShan, How To Meditate: Guide to Self-Discovery (Boston: Little, Brown, 1974), p. 3.
27
Lawrence LeShan, How To Meditate: Guide to Self-Discovery (Boston: Little, Brown, 1974), p. 4.
28
Carl Rogers, Carl Rogers on Personal Power (New York: Delacorte, 1977), pp. 14–15.
29
Tom Hanna in Rogers, Carl Rogers, Carl Rogers on Personal Power (New York: Delacorte, 1977), pp. 14–15.
30
Rogers, op. cit., p. 14.
31
Particularly in On Becoming a Person, and C.R. Rogers, A Theory of Therapy, Personality and Interpersonal Relationships as Developed in the Client-Centered Framework, in S. Koch (Ed.), Psychology: A study of a Science. Vol. II: Formulations of the Person and the Social Context (New York: McGraw Hill, 1959).
32
Carl Rogers, Client-Centered Psychotherapy, in H. I. Kaplan, B. J. Sadock, A. M. Freedman (Eds.), The Comprehensive Textbook of Psychiatry III (Baltimore, MD: Williams & Wilkins, 1980).
33
Carl Rogers, A Client-Centered, Person-Centered Approach. unpublished paper for the Center for the Study of the Person, date unknown. Also, an expanded version of this appears in Carl Rogers, A Way of Being (Boston, Houghton Mifflin, 1980), pp. 114–18.
34
Susan Freider Wallock and Daniel G. Eckstein, Dance/Movement Therapy: A Primer for Group Facilitators, in The 1983 Annual for Facilitators, Trainers and Consultants (San Diego, CA: University Associates Press), p. 195
35
Susan Freider Wallock, Reflections on Mary Whitehouse, American Journal of Dance Therapy, 1981, pp. 51–52.
36
Дневник автора об анонимном клиенте.
37
Дневник автора об анонимном клиенте.
38
Shaun McNiff, The Arts and Psychotherapy (Springfield, IL: Charles Thomas, 1981), p. 131.
39
Анонимный участник.
40
Pat Perrin and Wim Coleman, Addictions and Consciousnes, New Realities, Sept./Oct., 1987.
41
Pat Perrin and Wim Coleman, Addictions and Consciousnes, New Realities, Sept./Oct., 1987, p. 25.
42
Alcoholics Anonimous, Twelve Steps and Twelve Traditions (New York: Alcoholics Anonimous World Services, Inc./P.O. Box 459, Grand Central Station / NewYork, NY 10017; 1952), p. 42.
43
Alexandra Folts, Modalities of Expressive Arts: The Creative Connection (Orinda, CA: JFK University, student paper, 1988).
44
Anne Black, The Center for Creative Healing/The HEALS Program/P.O. Box 1576, Brattleboro, VT 05302 (manual available).
45
William Bridges, Transitions (Menlo Park, CA: Addison-Wesley, 1980).
46
Teresa Benzwie, Elective Surgery: A Voyage to Growth and Power (unpublished paper).
47
Teresa Benzwie, Elective Surgery: A Voyage to Growth and Power (unpublished paper).
48
Colleen Sjollema, Creative Connection and Group Process (San Francisco, CA: University of San Francisco, student paper, 1990).
49
Jean E. LaSarre, The Seed of a Child: Personal Growth and the Expressive Arts Process in Education (Santa Monica, CA: Sierra University, master’s thesis, 1987), p. 7.
50
Connie Zweig and Jeremiah Abrams (Eds.), Meeting the Shadow (Los Angeles: J.R. Tarcher, 1991), p. 6.
51
Connie Zweig and Jeremiah Abrams (Eds.), Meeting the Shadow (Los Angeles: J.R. Tarcher, 1991), pp. 271−73.
52
Hermine Glaser, My Path to Creative Therapy (Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1989).
53
Joseph Campbell (Ed.), The portable Jung (New York: Penguin, 1976), p. xxvii.
54
Joseph Campbell (Ed.), The portable Jung (New York: Penguin, 1976), p. 298.
55
Mary McClary, untitled report (unpublished).
56
Anonimous client.
57
Jeri Spencer, untitled paper (Orinda, CA: JFK University, 1988).
58
Liana Nan Graves, Living the Dream: Connecting the Creative to My Life Path (Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1990), p. 45.
59
Liana Nan Graves, Living the Dream: Connecting the Creative to My Life Path (Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1990), p. 45.
60
Gary Lark, Opening the Sacred Space (Santa Rosa, CA: Person-Centered Expressive Therapy Institute, intern paper, 1989), p .2.
61
Anonimous student, untitled paper (Orinda, CA: JFK University, 1988).
62
Frances Vaughan, The Inward Arc (Boston: Shambala, 1986), p. 87.
63
Frances Vaughan, The Inward Arc (Boston: Shambala, 1986), p. 156.
64
Mukti Khanna, A Phenomenological Investigation of Creativity in Person-Centered Expressive Therapy (Knoxville, TN: The University of Tennessee, Ph.D. dissertation, December 1989).
65
Mukti Khanna, A Phenomenological Investigation of Creativity in Person-Centered Expressive Therapy (Knoxville, TN: The University of Tennessee, Ph.D. dissertation, December 1989), pp. 74−75.
66
Interview with Matthew Fox in Creation Spirituality (date unknown).
67
Frances Vaughan, Spiritual Issues in Psychotherapy, Journal of Transpersonal Psychology, 23:2 (1991), p. 107.
68
David Whyte, Where Many Rivers Meet (Langley, WA: Many Rivers Press, 1990).
69
Edward F. Edinger, Ego and Archetype (Baltimore, MD: Penguin Books, 1973), p. 258.
70
C. G. Jung, Psychology and Occult, translated by R. F. C. Hull (Princeton, NJ: Princeton University Press, 1977), p. 131.
71
Stanislav Grof, The Adventure of Self Discovery (Albany, NY: State University of New York Press, 1988), p. 10.
72
In Mukti Khanna, op.cit., p. 74.
73
Anonimous student, op.cit., 1988.
74
См., также: A Traveler’s Notes, The Association of Humanistic Psychology Newsletter (April 1979).
75
Большая часть этого отчета о СССР взята из публикации: Natalie Rogers et al., Fostering Creative Expression in the Soviet Union, New Realities (March/April 1990).
76
Carl Rogers, A Way of Being (Boston: Houghton Mifflin, 1980), p. 118.
77
Theodore Roszak, Person/Planet (New York: Doubleday, 1978), p. 318.
78
Thich Nhat Hanh, Being Peace, edited by Arnold Kotler (Berkeley: Parallax Press, 1987), pp. 40−41.
79
Thich Nhat Hanh, Being Peace, edited by Arnold Kotler (Berkeley: Parallax Press, 1987), p. 2.
80
Christine Wayne, The Creative Connection (Orinda, CA: JFK University, student paper, 1988), p. 3.
81
Ben Hedges, Creative Confluence (Orinda, CA: JFK University, unpublished paper, 1990).
82
See Carl Rogers, The Rust Workshop: A Personal Overview, The Journal of Humanistic Psychology 26: 3 (Summer 1986), pp. 23−45.
83
Clark Moustakas, Creativity and Comformity (New York: Van Nostrand Reinhold, 1967), p. 35.
84
Connie Smith Siegel, Artist as Activist, Awakening in the Nuclear Age, Issue 13 (Spring 1986), p. 9.
85
Connie Smith Siegel, Artist as Activist, Awakening in the Nuclear Age, Issue 13 (Spring 1986), p. 11.
86
Connie Smith Siegel, Artist as Activist, Awakening in the Nuclear Age, Issue 13 (Spring 1986), p. 12.
87
Vaclev Havel, quoted in Noetic Sciences Review (Spring, 1990).
