Читаем без скачивания Русские реализмы. Литература и живопись, 1840–1890 - Молли Брансон
Шрифт:
Интервал:
Закладка:
Christ, Jordan 1995 – Victorian Literature and the Victorian Visual Imagination / ed. by С. T. Christ and J. O. Jordan. Berkeley: University of California Press, 1995.
Churak 2014 – Churak G. The Contemporary Reception of Ilia Repin’s Solo Exhibition of 1891 // From Realism to the Silver Age: New Studies in Russian Artistic Culture / ed. by R. P. Blakesley and M. Samu. DeKalb: Northern Illinois University Press, 2014. P. 111–122.
Clark 1999 – Clark T. J. Image of the People: Gustave Courbet and the 1848 Revolution. Berkeley: University of California Press, 1999.
Collier, Lethridge 1994 – Artistic Relations: Literature and the Visual Arts in Nineteenth-Century France / ed. by P. Collier and R. Lethridge. New Haven, CT: Yale University Press, 1994.
Costlow 1990 – Costlow J. T. Worlds within Worlds: The Novels of Ivan Turgenev. Princeton, NJ: Princeton University Press, 1990.
Coykendall 2008 – Coykendall A. Introduction: Realism in Retrospect // Journal of Narrative Theory. 2008. Vol. 38. N 1. P. 1–12.
Damisch 2000 – Damisch H. The Origin of Perspective / transl. by John Goodman. Cambridge, MA: MIT Press, 2000.
Dianina 2003 – Dianina К. The Feuilleton: An Everyday Guide to Public Culture in the Age of the Great Reforms // Slavic and East European Journal.
2003. Vol. 47. N 2. P. 187–210.
Doane 1982 – Doane M. A. Film and the Masquerade: Theorising the Female Spectator // Screen. 1982. Vol. 23. N 3–4. P. 74–87.
Eagleton 2003 – Eagleton T. Pork Chops and Pineapples. Review of “Mimesis: The Representation of Reality in Western Literature”, by Erich Auerbach / transl. by W. R. Trask. // London Review of Books. 2003. Vol. 25. N 20 (October, 23). URL: https://www.lrb.co.uk/the-paper/v25/n20/terry-eagleton/pork-chops-and-pineapples (дата обращения: 28.03.2021).
Elkins 1994 – Elkins J. The Poetics of Perspective. Ithaca, NY: Cornell University Press, 1994.
Elkins 1998 – Elkins J. On Pictures and the Words That Fail Them. New York: Cambridge University Press, 1998.
Elkins 2001 – Elkins J. Pictures and Tears: A History of People Who Have Cried in Front of Paintings. New York: Routledge, 2001.
Elliott 1992 – Photography in Russia, 1840–1940 / ed. by D. Elliott. London: Thames and Hudson, 1992.
Ely 2002 – Ely C. This Meager Nature: Landscape and National Identity in Imperial Russia. DeKalb: Northern Illinois University Press, 2002.
Ely 2003 – Ely C. The Origins of Russian Scenery: Volga River Tourism and Russian Landscape Aesthetics // Slavic Review. 2003. Vol. 62. N 4. P. 666–682.
Emerson 1995 – Emerson C. Word and Image in Dostoevsky’s Worlds: Robert Louis Jackson on Readings That Bakhtin Could Not Do // Freedom and Responsibility in Russian Literature: Essays in Honor of Robert Louis Jackson / ed. by E. Ch. Allen and G. S. Morson. Evanston, IL: Northwestern University Press, 1995. P. 245–265.
Epstein 2008 – Epstein T. Seeing and Believing in Dostoevsky’s “The Idiot” H Paroles, textes et images: Formes et pouvoirs de 1’imaginaire. 2008. Vol. 19.N2.P. 109–121.
Esty, Lye 2012 – Esty J., Lye C. Peripheral Realisms Now // Modern Language Quarterly. 2012. Vol. 73. N 3. P. 269–288.
Evdokimova 1995–1996 – Evdokimova S. The Drawing and the Grease Spot: Creativity and Interpretation in “Anna Karenina” // Tolstoy Studies Journal. 1995–1996. Vol. 8. P. 33–45.
Fanger 1965 – Fanger D. Dostoevsky and Romantic Realism: A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol. Cambridge, MA: Harvard University Press, 1965.
Fanger 1979 – Fanger D. The Creation of Nikolai Gogol. Cambridge, MA: Belknap Press of Harvard University Press, 1979.
Farago 1992 – Leonardo da Vincis “Paragone”: A Critical Interpretation with a New Edition of the Text in the “Codex Urbinas” I ed. by C. J. Farago. Leiden: E. J. Brill, 1992.
Farronato 1998 – Farronato C. Holbein’s “Dead Christ” and the Horror of the Broken Narrative // Interdisciplinary Journal for Germanic Linguistics and Semiotic Analysis. 1998. Vol. 3. N 1. P. 121–140.
Ferguson 1994 – Ferguson P. P. Paris as Revolution: Writing the Nineteenth-Century City. Berkeley: University of California Press, 1994.
Fetzer 1975 – Fetzer L. Art and Assassination: Garshin’s “Nadezhda Nikolaevna” // Russian Review. 1975. Vol. 34. N 1. P. 55–65.
Flint 2008 – Flint K. The Victorians and the Visual Imagination. Cambridge: Cambridge University Press, 2008.
Fowler 1972 – Fowler A. Periodization and Interart Analogies // New Literary History. 1972. Vol. 3. N 3. P. 487–509.
Frank 1968 – Frank J. Dostoevsky’s Discovery of “Fantastic Realism” // Russian Review. 1968. Vol. T1. N 3. P. 286–295.
Frank 1983 – Frank J. Dostoevsky: The Years of Ordeal, 1850–1859. Princeton, NJ: Princeton University Press, 1983.
Frank 1995 – Frank J. Dostoevsky: The Miraculous Years, 1865–1871. Princeton, NJ: Princeton University Press, 1995.
Frede 2011 – Frede V. Radicals and Feelings: The 1860s // Interpreting Emotions in Russia and Eastern Europe / ed. by M. D. Steinberg and V. Sobol. DeKalb: Northern Illinois University Press, 2011. P. 62–81.
Fried 1987 – Fried M. Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane. Chicago: University of Chicago Press, 1987.
Fried 1990 – Fried M. Courbet’s Realism. Chicago: University of Chicago Press, 1990.
Fried 2002 – Fried M. Menzel’s Realism: Art and Embodiment in Nineteenth-Century Berlin. New Haven, CT: Yale University Press, 2002.
Friedberg 2006 – Friedberg A. The Virtual Window: From Alberti to Microsoft. Cambridge, MA: MIT Press, 2006.
Frierson 1993 – Frierson C. A. Peasant Icons: Representations of Rural People in Late Nineteenth-Century Russia. New York: Oxford University Press, 1993.
Gatrall 2001 – Gatrall J. Between Iconoclasm and Silence: Representing the Divine in Holbein and Dostoevskii // Comparative Literature. 2001. Vol. 53. N3.P. 214–232.
Gatrall 2004 – Gatrall J. The Icon in the Picture: Reframing the Question of Dostoevsky’s Modernist Iconography// Slavic and East European Journal.
2004. Vol. 48. N l.P. 1-25.
Gilman 1989 – Gilman E. B. Interart Studies and the “Imperialism” of Language // Poetics Today. 1989. Vol. 10. N 1. P. 5–30.
Giovannini 1950 – Giovannini G. Method in the Study of Literature in Its Relation to the Other Fine Arts // Journal of Aesthetics and Art Criticism. 1950. Vol. 8.N3.P. 185–195.