Смотри: Lewis-Williams, Images of Mystery, p. 51; Clottes and Lewis-Williams, The Shamans of Prehistory, p. 70–71.
White, Prehistoric Art, p. 162–165.
Clottes and Lewis-Williams, The Shamans of Prehistory, p. 44.
Lewis-Williams, Cosmos in Stone, p. 247.
David Lewis-Williams, "Harnessing the Brain: Vision and Shamanism in Upper Palaeolithic Western Europe", in Conkey et al. (Eds.), Beyond Art: Pleistocene Image and Symbol, Memoirs of the California Academy of Sciences No. 23, San Francisco, 3 October 1997, p. 321.
Paul G. Bahn, "New Developments in Pleistocene Art", Evolutionary Anthropology, 1995/96, Vol. 4, No. 6, p. 213–214. Бан продолжает скептически относиться "к необходимости или возможности создания единой теории, способной охватить столько тысячелетий и такое разнообразие культурных контекстов".
Benite Madariaga de la Campa, Sanz de Sautuola and the Discovery of the Caves of Altamira, Fundacion Marcelino Botin, San— tander, 2001, p. 21–22. Смотри также с. 46.
Ibid., p. 24. Смотри также: Paul Bahn Journey through the Ice Age, Weidenfeld and Nicolson, London, 1997, p. 17.
Bahn, Journey through the Ice Age, p. 14–16. Первые объекты были обнаружены в 1827 году.
Ibid., р. 17.
Madariaga de la Campa, Sanz de Sautuola, p. 44.
Miguel Angel Garcia Guinea, Altamira and other Cantabrian Caves, Silex, Madrid, 1979, p. 12, 23.
BahnJourney through the Ice Age, p. 17.
Madariaga de la Campa,Sanz de Sautuola, p. 36; bahn, Journey through the Ice Age, p. 18.
Madariaga de la Campa, Sanz de Sautuola, p. 44.
Garcia Guinea, Altamira and other Cantabrian Caves, op. cit., p. 44–45.
ibid.
BahnJourney through the Ice Age, p. 22.
Ibid, p. 18–19.
Madariaga de la Campa,Sanz de Sautuola, p. 43: "//semble probable qu'elles ont ete faites dans Vintewalle des deux premiures visite de M. de Sautuola, de1875 a 1879".
Madariaga de la Campa, Sanz de Sautuola, p. 40–41; Garcia Guinea, Altamira and other Cantabrian Caves, p. 37.
Cited in Madariaga de la Campa, Sanz de Sautuola, p. 40–1.
Cited in ibid.
Cited in Garcia Guinea,Altamira and other Cantabrian Caves, p. 44.
BahnJourney through the Ice Age, p.20.
Cited in Garcia Guinea,Altamira and other Cantabrian Caves, p. 46.
Madariaga de la Campa, Sanz de Sautuola, p. 43–44.
Garcia Guinea, Altamira and other Cantabrian Caves, p. VIII, Prologue by Emilio Botin Sanz De Sautuola.
In ibid, page VII, Prologue.
H. Kuhn, El arte de la epoca glacial, cited in garcia guinea, Altamira and other Cantabrian Caves, p. 32.
Garcia Guinea, Altamira and other Cantabrian Caves, p. 28.
Ibid, p. 37.
Madariaga de la Campa, Sanz de Sautuola, p. 62.
Bahn Journey through the Ice Age, p. 22.
Ibid.
Ibid, p. 21.
Ibid.
Ibid, p. 22.
Madariaga de la Campa, Sanz de Sautuola, p. 62–63.
Bahn,journey through the Ice Age, p. 22.
Garcia Guinea,Altamira and other Cantabrian Caves, p. 51.
Cited in Pedro A. Saura Ramos, The Cave of Altamira, Harry N. Ab— rams, New York, 1999, p. 24.
Jean Clottes and David Lewis-Williams, The Shamans of Prehistory: Trance and Magic in the Painted Caves, Harry N. Abrams, New York, 1998, p. 38.
Bzhnjoumey through the Ice Age, p. 22.
Cited in Madariaga de la Campa, Sanz de Sautuola, op. cit, p. 65.
Cited in Garcia Guinea,Altamira and other Cantabrian Caves, p. 65.
Andre Rosenfeld and Paul Bahn (Eds.), Rock Art and Prehistory, Oxbow Monograph 10, Oxford, 1991, p. V.
Ibid.
Clottes and Lewis-Williams, The Shamans of Prehistory), p. 66.
Ibid, p. 65.
Ibid.
Count Begouen, "The Magic Origin of Prehistoric Art", Antiquity, 3 (1929?), p. 5.
Clottes and Lewis-Williams, The Shamans of Prehistory, p. 68;
Begouen, "Magic Origin", p. 5.
David Lewis-Williams, The Mind in the Cave, Thames and Hudson, London, 2002, p. 33.
Begouen, "Magic Origin", p. 8.
Ibid., p. 10.
Lewis-Williams, The Mind in the Cave, p. 47.
Paul Bahn, Foreword in Jean Marie Chauvet et al., Daivn of Art: Chauvet Cave, Harry N. Abrams, New York, 1996, p. 9.
BahnJourney through the Ice Age, p. 60.
Смотри главу пятую. Смотри также: Lewis-Williams, The Mind in the Cave, p. 258; Evan Hadingham, Secrets of the Ice Age, Walker, New York, 1979, p. 108: лишь в 19 пещерах Западной Европы имеются изображения северного оленя — основного продукта в меню наших предков. В качестве объекта изображения северный олень занимает седьмую или восьмую строчку в списке предпочтений доисторических художников, значительно уступая лошади или бизону.
Bahn,Journey through the Ice Age, p. 177.
Lewis-Williams, The Mind in the Cave, p. 47.
Bahn, Journey through the Ice Age, p. 173. Подобных изображений много и в Коске — 28 фигур из 142.
Ibid.
Ibid.
Ibid.
Clottes and Lewis-Williams, The Shamans of Prehistory, p. 70.
Lewis-Williams, The Mind in the Cave, p. 57.
Ibid.
Ibid.
Cited in ibid.
Cited in ibid.
White, Prehistoric Art, p. 56.
Bahn,Journey through the Ice Age, p. 190.
White, Prehistoric Art, p. 56.
Bahn,Journey through the Ice Age, p. 190; lewis-williams,The Mind in the Cave, p. 60–61.
Lewis-Williams, The Mind in the Cave, p. 61.
Rosenfeld and Bahn (Eds.), Rock Art and Prehistory, p. v.
BahnJourney through the Ice Age, p. 190.
Ibid.
Ibid., p. 191.
Bahn in Chauvet et al., Dawn of Art, p. 8.
Ibid., p. 10.
Robert G. Bednarik, "А Major Change in Archaeological Paradigm", Antbropos 98, 2003, p 514.
Bahn in Chauvet et al., Dawn of Art, p. 10.
Bahn Journey through the Ice Age, p. 197.
Jean Clottes, in Christopher Chippendale and Paul S. Tacon (Eds.), The Archaeology of Rock Art, Cambridge University Press, 1998, p. 122. See also Chauvet et al., Dawn of Art: Chauvet Cave, p. 127.
Jean Clottes, in Chippendale and Tacon, The Archaeology? of Rock Art, p. 121–122.
Ibid., p. 121.
Robert G. Bednarik, "А Major Change", p. 515.
Cited in David S. Whitley (Ed.), Handbook of Rock Art Research, Altamira Press, Walnut Creek, CA, 2001, p. 643.
David Lewis-Williams and Thomas Dowson, Images of Power: Understanding Bushman Rock Art, Southern Book Publishers, Johannesburg, 1989, p. 7.
Ibid.
Lewis-Williams, Л Cosmos in Stone, Altamira Press, Walnut Creek, CA, 2002, p. 166.
D. Bruce Dickson,The Dawn of Belief: Religion in the Upper Palaeolithic of Southwestern Europe, the university of arizona press, tucson, 1996, p. 152.
Cited in ibid., p. 152.
Conkey et al., Beyond Art, p. 1.
Bahn, "New Developments in Pleistocene Art", p. 213.
E. g. Robert Layton. See Bahn Journey) through the Ice Age, p. 211.
